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THE
UNIVERSE: CONTEMPORARY ART AND THE COSMOS EXHIBIT
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Dorothea
Rockburne, Wanderers, 2000
Aquacryl, silver, Caran D'Ache, One Shot, Deka, white enamel
on handmade paper; 12 1/8 x 17 inches.
Courtesy of the artist and Lawrence Rubin Greenberg Van Doren
Fine Art, New York
* This piece is not in our exhibition. On view
will be three other works by this artist.
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Dorothea
Rockburne, Tacoma Bridge Resonance, 1998
Colored pencil on paper and translucent abaca paper;
33 x 29 1/2 inches.
Courtesy of the artist and Lawrence Rubin Greenberg Van Doren
Fine Art, New York |
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Rockne
Krebs, The Green Hypotenuse, 1983
Eight-mile-long laser installation from Mount Wilson to California
Institute of Technology. Courtesy of the artist
* Although this particular piece is not in our
exhibition, another laser installation by Rockne Krebs, titled
Mr. Belloli's Universe, will create a web of brilliant light
above Raymond Avenue between the Armory's building and the palm
trees in Memorial Park across the street. |
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Kim
Abeles, Illuminated Manuscript, 1984
Ink, acrylic, and pencil on paper; 51 x 78 inches. Collection
of Judy and Stuart Spence
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Edward
Ruscha, Various Places, 1979
Oil on canvas; 22 x 80 inches.
Collection Burroughs Corporation
* Although this piece is not included in
our exhibition, Edward Ruscha is creating a new painting measuring
54 x 120 inches specifically for this show.
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Vija
Celmins, Concentric Bearings A, 1985
Two-color aquatint/photogravure; 23 7/8 x 18 inches. Courtesy
of Gemini G.E.L., Los Angeles
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Vija
Celmins, Strata, 1982
One-color mezzotint; 29 x 35 inches. Courtesy of Gemini G.E.L.,
Los Angeles
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Carl
Cheng, Conversation, 2000
Electronic hardware, 80 meters; 96 x 144 x 4 inches. Courtesy
of the artist
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Linda
Connor, July 26 1895, 1996
Glass photographic plate on printing-out paper; 10 x 12 inches.
Courtesy of the artist and University of California Observatories,
Lick Observatory
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Linda
Connor, Fountain Head
Angkor Thom, Cambodia, 2000
Photographic negative on printing-out paper; 10 x 12 inches.
Courtesy of the artist
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James
Rosenquist, The Bird of Paradise Approaches the Hot Water
Planet, 1989
33-color pressed pulp paper work lithography collage elements
adhered on 2 sheets;
97 x 84 inches.
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Robert
Rauschenberg, Sky Garden, 1969
Six-color lithograph and silkscreen;
89 x 42 inches.
Courtesy of Gemini G.E.L., Los Angeles
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This
exhibit made possible by the generous support of:
Getty Grant Management, Pasadena Art Alliance, The Virginia
Steele Scott Foundation, Surdna Foundation, Wallace-Reader’s
Digest Funds, Vicki Solaini Baker, California Council of the
Humanities, and the Glide Foundation.
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